After Ô MONTAGNE created in 2013, FANFARE, a group piece, 
traces a melody of the relationships built by actions and gestures. For the dancer, to dance is not only a way to feel the world, but a way to both cross and contain it. 
To dance is to see. To see space, see what is in it, what is already active. To see one's history, agitate one's memory, and bring it into the present by the movement of dance.
« All discord comes from that men search for their common element within themselves, when they should search for it behind themselves, 
in the light, in the landscape in the beginning and in death. » Rainer Maria Rilke, Notes on the melody of things (1898)
Teaser FANFARE
Article du 25/06/15 - Smaranda Olcèse - INFERNO
Cast
Concept and choreography Loïc Touzé
Performance and artistic collaboration Bryan Campbell, Ondine Cloez, Madeleine Fournier, David Marques, Teresa Silva, Charlène Sorin
Light creation Yannick Fouassier
Musical collaboration Eric Yvelin
Stage manager Pierre Bouglé
Costumes Charlotte Coffinet
Scenography Miranda Kaplan
mentions
Accueil studio : CCN de Grenoble, Musée de la danse Rennes, CCN de Tours
Accueil : Théâtre de Lorient, Le Théâtre, scène nationale de St Nazaire, TU Nantes
Résidence : Atelier de Paris-Carolyn Carlson, Le Quartz Scène nationale de Brest
Production : ORO
Coproduction : Le Quartz - Scène nationale de Brest, Centre chorégraphique national de Grenoble, CDC Atelier de Paris-Carolyn Carlson, Le Musée de la Danse/Centre chorégraphique national de
Rennes et de Bretagne, Centre chorégraphique national de Tours-Direction Thomas Lebrun
avec le soutien de la Ville de Lorient et le concours du Théâtre de Lorient, du Théâtre Universitaire – Nantes et du Théâtre, scène nationale de Saint-Nazaire.
This project is supported by the Conseil Général de Loire-Atlantique, Région Pays de la Loire, Adami and SPEDIDAM.
Photo credit © Alain Monot
traces a melody of the relationships built by actions and gestures. For the dancer, to dance is not only a way to feel the world, but a way to both cross and contain it. 
To dance is to see. To see space, see what is in it, what is already active. To see one's history, agitate one's memory, and bring it into the present by the movement of dance. 
in the light, in the landscape in the beginning and in death. » Rainer Maria Rilke, Notes on the melody of things (1898)